Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
②开篇旁白跟主线剧情文不对题。跟旁白搭配的剧情应是：男主自己是烧烤店主，为维护自家招牌/保护美食街，参加比赛，PK连锁烧烤店的资本入场，最终赢得比赛。剧情虽然俗套，但爽点足。 而且为了跟开头旁白衔接，以倒叙开始，插入事件起因，结构影响观众共鸣。
一个专业很好家庭幸福的小孩去百老汇试镜成功并顺便在抖音走红的故事，全片最大的矛盾是亚裔小女孩对他的嘲笑……
这个剧情和演技确实只能上个网络大电影，不过好像也确实没有烧烤的电影
一事无成的男主，在公司干啥啥不行，公司老板的父亲一直在做烧烤，老板让男主只要搅黄父亲的烧烤店就算堪当大用，男主找到了腰子姐和东北禽王，跟老爷子竞争，老爷子也找了四大天王，烧烤辅助竞争，最后男主爱上了烧烤事业。当齐心做一个事业的时候，稍有成绩，你就爱上他了
还行 虽然情节有些硬 但比较好的是把握住了度 没干硬抠你嘎吱窝让你尴尬的事 看完真想吃大腰子啊
干事情就一定要有自己拿手的活，崔志佳擅长于把小故事来抖出无数个小包袱
节奏还行吧、致敬了食神是吧（应该不敢那么明显的抄吧。。
迪士尼里程碑意义的作品，逻辑硬伤挺多，但是不影响看着爽啊。
“打开心扉的大门”……请一个稍微有点文化的编剧就这么难嘛
晚上看着电影点了好多烧烤，点的烧烤外卖还真好吃。
崔志佳自导自演了一个不错的片，秒杀一众东北片，我被崔志佳圈粉了。
在搞笑的同时也引人深思，资本进入市场对市场的影响，究竟是更上一层楼下还是降维打击，对未来的发展时好时坏，在这种影响下，消费者获得了一时的利益，但失去了长久的市场发展，最后会演变为市场垄断的寡头。
三无作品，无内涵，无下限，无节操！就是段子喜剧片，有笑点和致敬周星驰打两星
俗 但是很好看很美味 笑点也很密集 算是非常解压的一部轻松电影 除了结局有点狗尾续貂
还是有一些包袱的。就是晚上看容易饿，想吃串喝啤酒。就是这儿子有点不仗义，卷土重来。
可以的 挺有意思的 这个级别看着乐呵很好了 渣渣有点意思
我还真是当美食电影去看的，没想到还有笑料，哈哈。
作为网大，佳佳这部电影是合格的，不过内容稍显单薄，在郑家父子关系的挖掘方面可以再丰满一些。特别是郑总作为馕哥应该来体验一下生活
我是通过爱笑会议室和一起来笑吧 认识崔志佳的,那时候他就有胖的迹象,不过还不显胖,这电影里刚一露面我都惊呆了,胖的脸两侧都下垂了,像沙皮狗一样.我看事情看的深而远,导演是他,我挺佩服,能拉倒赞助投资,还有这么多小明星来捧场,确实厉害.男主媳妇真好看,搞笑片段太少太少!总体还行,没有强行煽情.比大多数网剧好多了
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