With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
轻松可爱，反套路的地方好喜欢，特别是改歌词🤣
同样是Christmas cliché，比隔壁的撞号姐妹片还是好很多的。欧阳万成有毒哦，他怎么跟谁都好有cp感！awwwwwww
电车男和大美女真的太违和了，看不下去。这男演员完全可以眼一些科幻题材的片子，为啥硬要演爆谷爱情片？看这种片的人（例如我）就是想看个帅哥美女上演烂俗情节，我做错了什么？如果是奈飞想讨好中国观众的话，就太错了
太俗套了但我对欧阳有滤镜无法客观打分 更何况还有Paxton _(:з」∠)_
开头不错，竟也好看，从飞去lake落地开始就垮掉了
圣诞电影*2，其实剧情还蛮扯的，毕竟男主的颜值太没有说服力了，而且是他欺骗在先，最终还是女生反思自己的错。但依旧是蛮可爱的电影。三点五分吧，还算ok的电影啦。
男主角出场的时候，当然知道套路，但是镜头扫到他脸上的时候，我还是发出了银铃般的笑声。这片子，开玩笑，一点也不差好嘛，我看得好高兴，很多设计编排竟然神奇的化解了那些俗套带来的感受，而且我不得不说男主对这片子是有功劳的，喜欢。
好看，happy end 真实的自己才会闪闪发光哈哈哈
有看到一些东西，不仅仅是浪漫喜剧，有值得讨论的话题
"A passion whose flame fails to be fanned eventually burns out. Don't be afraid to be you."
男主角出场的时候，当然知道套路，但是镜头扫到他脸上的时候，我还是发出了银铃般的笑声。这片子，开玩笑，一点也不差好嘛，我看得好高兴，很多设计编排竟然神奇的化解了那些俗套带来的感受，而且我不得不说男主对这片子是有功劳的，喜欢。
如果相信爱，就继续找寻、保持耐心。她/他不完美，但他/她让你觉得，一切都很值得
jimmy去学个表演吧。。。也不能老是面瘫一招鲜啊。。。
标准Netflix圣诞电影，虽然老套，但是我喜欢。
片子两星，给亚裔男性打气一星，喜剧holiday题材一星。准备圣诞月看十部喜剧提提气
对圣诞合家欢就不要这么苛刻了，tinder版Love Actually，单身狗也想有这么奇妙的爱情（擦泪）
很老套但是看到男主跟我一样的大额头就好亲切，多给一颗星给额头
Jingyang made it, finally!
Jin Yang 蛮自然的。女主打扮起来真美。
还不错，挺有趣的，不过这个男主感觉更适合那种讲话刻薄的角色。最近这些亚裔脱口秀演员都拍起电影来了嘛，包括国内的脱口秀演员，也混得很不错。
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