Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
三星平均分，给回忆。
孩子是多变的，今天热心肠图新鲜感，明日新潮流便又从众，大人也不好苛责，伤心的只是看到过希望的老人。大人不从儿童手中接过接力棒，晚年只剩追忆的就是自己。
老活新整 @2021-10-27 18:34:44
到底要消费多少遍牛爷爷 小时候就一直心疼牛爷爷 一晃我长大了 他们还在怕牛爷爷
小甘第一次看电影，选了图图，因为和图图长得像
前半部分就是tv版，有点看不下去，最后有新剧情，立意很好。
虽然大部分剧情都是直接拿来用的吧，但全都是满满的回忆噶。
其實我覺得還可以啊？五星全給13跟Yaz😭😭 最後看煙火那裡，13你肯定對Yaz也有感覺的對吧😭😭😭
中规中矩吧，但我们的十三姨就要这样谢幕了嘛……还是有点可惜
本来对《快乐星球之三十六号》和这部电影抱有很大期望，结果这两部真的挺让人失望的。
剧情方面还是一如既往的烂，还好他还有点良心把所有的cp剧情都放在一起了，跳过不至于跳的太狠。以及实际上这俩演员真的还是离得太远了，这就是要营造出的女铜的若离若即感吗……不过看Bill和星眼妹子，确实也是。Bill那滴眼泪可是跟着她跟了十三集啊，最后的处理真的也挺好的。希望剩下俩特辑能把13和Yaz的关系再进一步处理一下 。。。
主题曲谁写的，太难听了，要不然能多给一颗星
略无聊/疑似bug，前一个loop好几次角色出场秒死（存活小于1min）理论上下一个loop就不会出现了&Dalek怎么被骗的没太看明白
另外就是，有点想吃章鱼烧了🙃
doctor和yaz CP感还是太弱了，需要更多铺垫才好
为上美影加油！不错的儿童电影，传递遵老价值观！
其实完全没明白讲了个啥，也就是个片尾反转加分。
这波是旧活新整了属于是，不过难能可贵的是画风整体风格没变，就已经足够了。改编的比原先更低龄了，我们看着肯定是更幼稚了点，但是就适合更小的孩子看了
散场问孩子们，他们竟然还说没意思，的确，品味很好。
十一国庆节带孩子去电影院，孩子很喜欢看，国内动画也很好呀
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